Coleman, Graham Keith (Date of defense: 2016-02-05)
Sampling, as a musical or synthesis technique, is a way to reuse recorded musical expressions. In this dissertation, several ways to expand sampling synthesis are explored, especially mosaicing synthesis, ...
Şentürk, Sertan (Date of defense: 2017-02-22)
This thesis addresses several shortcomings on the current state of the art methodologies in music information retrieval (MIR). In particular, it proposes several computational approaches to automatically ...
Özaslan, Tan Hakan (Date of defense: 2013-11-29)
L’estudi de l’expressivitat musical és un camp molt actiu en la computació musical. El seu interès ve donat per diverses motivacions: entendre i modelitzar l’expressivitat musical; identificar els ...
Dzhambazov, Georgi (Date of defense: 2017-06-28)
This thesis proposes specific signal processing and machine learning methodologies for automatically aligning the lyrics of a song to its corresponding audio recording. The research carried out falls ...
Oramas Martín, Sergio (Date of defense: 2017-11-29)
In this thesis, we address the problems of classifying and recommending music present in large collections. We focus on the semantic enrichment of descriptions associated to musical items (e.g., artists ...
Favory, Xavier (Date of defense: 2021-03-04)
Capturing sounds on a recording medium to enable their preservation and reproduction started to be possible during the industrial revolution of the 19th century, originally achieved through mechanic and ...
Srinivasamurthy, Ajay (Date of defense: 2016-11-17)
Las colecciones de música son cada vez mayores y más variadas, haciendo necesarias nuevas fórmulas para su organización automática. El análisis automático del ritmo tiene como fin la extracción de ...